Sans Normal Okmaf 19 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Cora Montserra' by Casloop Studio, 'Bari Sans' by JCFonts, 'Spiegel Sans' by LucasFonts, 'Palmilla' and 'Palmilla 2.0' by RodrigoTypo, and 'Body' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, confident, modern, friendly, utilitarian, straightforward, high impact, legibility, modernity, simplicity, brand presence, geometric, clean, sturdy, open counters.
A heavy, geometric sans with broad proportions, smooth circular curves, and consistently thick strokes. Letterforms are built from simple shapes with crisp terminals and minimal modulation, creating a dense, even color in text. The x-height is notably tall, with compact ascenders/descenders and generous bowl sizes that keep counters open. Curves are round and stable (C/G/O/Q), while diagonals and joins (K/V/W/X/Y) stay solid and uncluttered; the overall spacing reads slightly roomy for the weight, supporting clarity at display sizes.
This font works best where strong presence and quick readability are needed, such as headlines, brand marks, posters, and signage. It can also perform well for short UI labels or calls-to-action where a compact, high-impact sans is desirable, though long passages may feel heavy due to its dense weight and broad proportions.
The tone is confident and contemporary, with a friendly, no-nonsense presence. Its weight and breadth give it an assertive voice without feeling sharp or aggressive, making it well suited to approachable, high-visibility messaging.
The design appears intended as a contemporary, geometric workhorse that prioritizes impact and legibility through bold massing, open counters, and simplified construction. It aims to provide a clean, approachable voice for modern visual systems while remaining sturdy and consistent across mixed-case and numerals.
Numerals are simple and highly legible with round forms (0/8/9) and strong, straightforward construction (1/4/7). Uppercase forms feel headline-ready and blocky, while lowercase maintains a clean, modern rhythm with single-storey shapes where visible (notably the g) that reinforce an uncomplicated, geometric feel.