Sans Superellipse Ogkuh 2 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' by Emtype Foundry, 'Kiosk' by Fenotype, 'Gemsbuck Pro' by Studio Fat Cat, and 'Cargi' by Studio Principle Type (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, industrial, condensed, utilitarian, retro, space saving, impactful display, geometric consistency, signage clarity, rounded corners, rectilinear, compact, sturdy, monoline.
A compact, tightly drawn sans with a tall, condensed stance and rounded-rectangle construction. Strokes are heavy and largely uniform, with softened corners and squared counters that create a superelliptical, rectilinear rhythm rather than circular bowls. Curves resolve into straight-ish sides and flat terminals, producing a sturdy, engineered texture in text. The lowercase is simple and compact, with a short, blocky shoulder/arch vocabulary; numerals follow the same squared, rounded-corner logic for consistent color across lines.
Best suited to space-constrained display settings such as headlines, posters, and signage where a compact footprint and high visual impact are desired. It can also work well for bold labels on packaging or branding wordmarks that benefit from an engineered, condensed look.
The overall tone feels industrial and utilitarian, with a hint of retro signage and poster typography. Its narrow proportions and squared rounding give it an efficient, no-nonsense voice that reads as mechanical and confident rather than friendly or calligraphic.
The design appears intended to deliver maximum presence in minimal horizontal space, using rounded-rectangle geometry and uniform stroke weight to maintain consistent texture and clarity at display sizes. Its forms prioritize a strong silhouette and repeatable structural rhythm for impactful, efficient typography.
In running text the condensed width and dense stroke weight produce a strong vertical cadence and a dark, uniform typographic color. The rounded corners prevent the design from feeling harsh, while the squared counters keep it decisively geometric and structured.