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Free for Commercial Use

Sans Normal Niduf 3 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' and 'Artegra Soft' by Artegra (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, modern, confident, friendly, clean, straightforward, impact, clarity, modernity, brand presence, simplicity, geometric, rounded, monoline, open counters, high legibility.


Free for commercial use
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This typeface presents as a robust, geometric sans with broad proportions and a steady, monoline stroke. Curves are smooth and near-circular, while joins and terminals stay clean and mostly squared-off, giving the letterforms a crisp, engineered feel. Counters are generous and open, and the overall rhythm is even, with a slightly compact vertical impression compared to its width. Numerals follow the same rounded-rectilinear logic, maintaining strong consistency in weight and curvature across the set.

This font is a strong choice for headlines, brand marks, packaging, and promotional graphics where a wide, confident presence is desirable. It should also work well for short UI labels and signage that benefit from open counters and clear, simple forms, particularly at medium-to-large sizes.

The tone is modern and self-assured, balancing a utilitarian clarity with approachable roundness. Its wide stance and solid color create an emphatic, contemporary voice that reads as friendly rather than severe, making it well suited to upbeat brand or interface messaging.

The design appears intended to deliver a contemporary geometric sans with maximum impact and clarity, using wide proportions and simplified construction to create a strong, immediately readable typographic voice. Its consistent stroke and rounded geometry suggest an emphasis on versatility for modern brand and display contexts.

The sample text shows a dense, uniform texture with strong word shapes at larger sizes, and the wide proportions help individual letters stay distinct even in heavy settings. Round letters like O and Q are very full and stable, and the overall design avoids fussy details in favor of clean silhouettes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸