Sans Faceted Aspy 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Cantiga' by Isaco Type; 'JAF Bernini Sans' by Just Another Foundry; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, industrial, sporty, punchy, retro, impact, ruggedness, clarity, distinctiveness, blocky, faceted, angular, compact, sturdy.
A heavy, block-based sans with strongly chamfered corners and planar cut-ins that replace many curves with crisp facets. Strokes are consistently thick with minimal contrast, producing dense, dark word shapes. Counters are generally small and squarish, and joins tend to form hard angles rather than smooth transitions, especially in characters like S, G, and 2. The lowercase is robust and compact with a high x-height feel, while capitals are wide-shouldered and built from simple geometric masses; figures follow the same blunt, cut-corner logic for a cohesive texture.
Best suited for headlines and short-to-medium display copy where its mass and facets can be appreciated. It works well for bold branding, packaging callouts, event posters, and sports or industrial-themed graphics that benefit from a sturdy, engineered voice.
The overall tone is forceful and utilitarian, with a confident, no-nonsense presence. Its faceted geometry adds a rugged, engineered edge that reads as athletic and industrial, leaning slightly retro through its chunky, poster-like silhouettes.
Designed to deliver maximum impact with a compact, high-density texture, while using faceted cuts to keep the forms lively and distinctive. The consistent, blocky construction suggests an intention to feel durable and modern, optimized for attention-grabbing display settings.
Spacing appears geared toward display impact: the heavy weight and tight internal counters create strong black/white tension, making the font feel most comfortable at larger sizes. The angular terminals and chamfers help prevent pure rectangular monotony, adding rhythm and distinction across lines of text.