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Sans Contrasted Untu 10 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Beatrice Deck', 'Beatrice Display', and 'Beatrice Headline' by Monotype and 'Gella Display' by Slava Antipov (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, bold, modern, punchy, graphic, playful, distinctive display, brand impact, modern statement, graphic contrast, geometric, rounded, soft corners, flared joins, tapered strokes.


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A heavy, display-oriented sans with wide proportions and a compact, stable stance. Letterforms lean toward geometric construction with large bowls and rounded terminals, but introduce lively contrast through tapered joins and occasional hairline strokes that act like cuts or inktraps. Counters are generally open and circular, while some characters (notably K, M, N, W, and z) show sharp, wedge-like diagonals and thin internal strokes that create a distinctive, high-impact rhythm. The lowercase is sturdy and simplified with single-storey forms and prominent dots, keeping texture dense and headline-friendly.

This font is best suited to headlines, posters, brand marks, and packaging where its bold silhouette and distinctive contrast can be appreciated. It can also work for short blocks of promotional copy or UI hero text, but the finer internal strokes and cut details suggest using it at larger sizes for clarity.

The overall tone is confident and attention-grabbing, mixing clean contemporary geometry with quirky, almost poster-like detailing. Its dramatic tapers and occasional hairline accents add a playful edge that feels energetic rather than formal.

The design appears intended to deliver a powerful, modern sans presence while standing apart from standard grotesks via expressive tapers and internal hairline accents. It aims for maximum impact and recognizability in display typography without relying on serifs or ornament.

Several glyphs feature deliberate thin strokes inside otherwise solid shapes (e.g., diagonals and zig-zag strokes), creating a signature “cut” motif that will become more noticeable at larger sizes. Spacing appears geared toward display settings, producing a tight, bold typographic color in paragraphs of sample text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸