Sans Normal Utrin 12 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont; 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; and 'Interval Next' by Mostardesign (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, modern, dynamic, clean, sporty, technical, modernize, add speed, save space, stay neutral, improve clarity, oblique, geometric, compressed, crisp, minimal.
This typeface is an oblique sans with a compact, condensed stance and low-contrast strokes. Curves are built from smooth, near-geometric arcs with clean terminals and minimal modulation, giving the forms a crisp, streamlined look. Counters tend to be tight and apertures relatively narrow, while spacing is even and controlled for a steady, forward-leaning rhythm. The uppercase reads solid and structured, and the lowercase maintains a straightforward, utilitarian construction with rounded bowls and simple joins.
It works well for headlines, subheads, and short blocks of copy where a condensed, forward-leaning sans can add emphasis without relying on heavy weight. The clean geometry and disciplined spacing also suit branding systems, posters, signage, and packaging that benefit from a modern, efficient typographic voice.
The overall tone is contemporary and energetic, with a subtle sense of speed created by the slant and condensed proportions. It feels practical and no-nonsense rather than expressive, projecting a clean, efficient voice suited to modern interfaces and branding that wants momentum without ornament.
The design appears intended to deliver a streamlined oblique sans optimized for contemporary display use, combining compact width with clean geometric construction. Its consistent slant and restrained detailing suggest a focus on clarity and momentum in titles and brand statements.
The italic angle is consistent across letters and numerals, and the simplified shapes keep texture uniform in longer lines. The numerals follow the same compact geometry, supporting a cohesive typographic color when mixing text and figures.