Sans Faceted Abdek 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Behover' by Martype co, 'Alma Mater' and 'Oscar Bravo' by Studio K, 'Headlines' by TypeThis!Studio, and 'Super Duty' by Typeco (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, athletic, tactical, retro, high impact, machined aesthetic, signage feel, brandable display, blocky, angular, chamfered, octagonal, condensed.
A heavy, condensed display sans built from flat strokes and crisp chamfered corners. Curves are largely replaced by faceted, octagonal forms, with squared counters and notched joins that create a cut-metal silhouette. Stems are uniform in thickness with minimal modulation, and the overall rhythm is tight and compact, emphasizing verticality and dense texture. Numerals follow the same planar construction, maintaining consistent weight and corner treatment for a cohesive set.
Best suited to short, high-impact settings such as headlines, posters, title cards, and logo wordmarks where its faceted construction can be appreciated. It also fits sports branding, gaming or tactical-themed graphics, and bold packaging labels that benefit from a hard-edged, industrial presence.
The faceted geometry and dense massing convey a rugged, utilitarian tone—more like stenciled signage or equipment marking than neutral text typography. It reads as assertive and punchy, with a distinctly retro-industrial and sports/varsity energy driven by the angular cuts and block-like proportions.
The design appears intended to translate a carved, cut, or stamped aesthetic into a compact sans word shape, prioritizing impact and a distinctive angular voice over smooth neutrality. Its consistent planar corner system suggests an aim for strong repeatable geometry that holds together across letters and numbers in display use.
Diagonal and rounded structures resolve into short planar segments, which gives letters a machined, logo-like feel at large sizes. The strong corner cuts and small apertures can visually merge in tight settings, so generous tracking and ample size help preserve clarity.