Sans Normal Algih 2 is a regular weight, wide, low contrast, upright, tall x-height font visually similar to 'Campeche' by Latinotype and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: ui text, web typography, headlines, branding, signage, modern, clean, neutral, friendly, technical, clarity, versatility, modernity, approachability, geometric, rounded, open apertures, even rhythm, generous spacing.
A clean sans with largely circular/elliptical construction, smooth joins, and consistent, low-modulation strokes. The proportions skew wide with a tall lowercase presence, producing an open, airy texture in text. Curves are round and steady (notably in bowls and counters), while straight strokes stay crisp and unembellished; terminals read mostly as simple, squared endings with occasional subtle softening from the overall geometry. Numerals follow the same restrained, rounded logic, keeping a uniform color across lines and sizes.
Well-suited to interface and web typography where clean shapes and consistent rhythm support quick scanning. It also performs confidently in headlines and brand systems that want a modern, approachable voice, and it can work for wayfinding or signage thanks to its open counters and steady stroke presence.
The tone is contemporary and matter-of-fact, with a friendly clarity that feels accessible rather than stylized. Its rounded geometry adds a mild warmth, while the even rhythm and straightforward forms keep it suitable for practical, information-forward design.
The design appears intended as a general-purpose geometric sans that prioritizes clarity, neutrality, and modern proportions. Its wide stance and rounded construction suggest a focus on an inviting, contemporary feel without decorative quirks, aiming for versatility across editorial, digital, and brand applications.
In the sample text, the generous internal space and open letterforms help maintain legibility at larger display sizes, and the wide set gives headlines a relaxed, expansive cadence. Round letters (like O/C/G) read particularly smooth, while diagonals (like V/W/X) stay crisp and balanced against the softer curves.