Sans Superellipse Olduw 11 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Bebas Neue Pro' by Dharma Type, and 'RF Rufo' by Russian Fonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, labels, industrial, condensed, modern, utilitarian, assertive, space saving, high impact, systematic geometry, signage clarity, robust reproduction, rounded corners, squared curves, compact, sturdy.
A compact sans built from squared, superelliptic curves and rounded-rectangle counters. Strokes stay essentially monoline, with terminals generally flat and corners consistently softened, producing a sturdy, engineered look. The proportions are tightly condensed with minimal lateral breathing room, and the shapes lean on verticality—seen in tall caps and narrow rounds like O and Q that read as rounded rectangles rather than true circles. Lowercase forms are straightforward and functional, with single-storey a and g, short shoulders, and compact bowls; figures follow the same squared, condensed construction for a cohesive texture.
Works well for headlines and short bursts of text where space is tight and impact is needed, such as posters, packaging, labels, and wayfinding. It also suits UI titling, dashboards, and product markings where a condensed, industrial sans can keep layouts compact without losing presence.
The overall tone is pragmatic and no-nonsense, with a strong industrial voice. Its condensed rhythm and blunt, softened geometry feel modern and infrastructural—more like labeling, wayfinding, and equipment markings than editorial typography. The rounded corners temper the forcefulness slightly, keeping it approachable while still reading confident and directive.
The design appears intended to deliver maximum density and clarity with a consistent squared-rounded geometry. By keeping contrast low and forms simplified, it prioritizes a robust, reproducible silhouette that holds up in bold applications like signage, branding, and utilitarian graphic systems.
The narrow set width and large, blocky silhouettes create strong word shapes at display sizes, while the consistent rounded-corner logic gives it a distinctive stamp-like uniformity. Curved letters (C, S, O, Q) emphasize the superelliptic construction, which maintains a crisp, modular cadence across the alphabet and numerals.