Sans Superellipse Agnod 3 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'FF Good' by FontFont, 'Aago' by Positype, and 'Cervino' and 'Cervo Neue' by Typoforge Studio (names referenced only for comparison).
Keywords: ui labels, packaging, wayfinding, posters, branding, clean, modern, compact, friendly, utilitarian, space saving, clarity, modernity, approachability, systematic, rounded corners, soft terminals, tall proportions, even rhythm, open counters.
A compact, tall sans with rounded-rectangle construction and gently softened corners throughout. Strokes are even and steady, with minimal modulation and squared-off curves that read as superelliptic rather than purely circular. Apertures stay relatively open and counters are clean, while terminals are mostly blunt with subtle rounding that prevents the texture from feeling harsh. Overall spacing and rhythm are tidy and consistent, producing a dense but orderly line color.
This font works well where compact width and high clarity are needed, such as UI labels, navigation, dashboards, and information-heavy layouts. Its tall, clean forms also suit packaging, editorial headings, and posters where a contemporary, space-saving sans is desired. The rounded geometry can support branding that aims for modern clarity without feeling overly sharp or technical.
The tone is modern and practical with a mild friendliness coming from the rounded corners and softened terminals. It feels straightforward and engineered, balancing clarity with a slightly playful, approachable edge. The condensed stance adds a focused, efficient character suited to space-conscious layouts.
The design appears intended to deliver a space-efficient geometric sans with rounded-rectangle DNA, prioritizing consistent texture, clear counters, and a contemporary voice. The softened corners suggest an effort to keep the geometry approachable while preserving a crisp, constructed feel.
The numeral set matches the letters in proportion and corner treatment, maintaining a coherent, geometric voice. Diacritics and punctuation shown (such as the i/j dots and apostrophe) are simple and round, supporting legibility without adding ornament.