Sans Superellipse Hadiz 6 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Bank Sans Caps EF' and 'Bank Sans EF' by Elsner+Flake (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, tech, industrial, futuristic, confident, utilitarian, impact, modernity, technical tone, sturdy forms, squared, rounded corners, geometric, stencil-like, blocky.
A heavy geometric sans with squared, rounded-rectangle construction and large radii at corners. Strokes are consistently thick and mostly monolinear, producing a dense, uniform color. Many curves are handled as superelliptical bowls and counters, with rectangular apertures and flat terminals; joints tend to be crisp with occasional angled cuts on diagonals. Proportions are broad and stable, with compact counters and minimal modulation, giving the design a robust, engineered feel across letters and numerals.
Best suited for short, high-impact settings such as headlines, posters, branding marks, product packaging, and wayfinding or label-style typography where a sturdy, technical voice is desired. It also fits UI or game/interface graphics when used at larger sizes where the squared counters remain clear.
The overall tone is technical and machine-made, evoking hardware labeling, sci‑fi interfaces, and industrial signage. Its solid rhythm and squared rounding read as confident and no-nonsense, with a slightly retro-digital flavor.
The design appears intended to translate rounded-rectangle geometry into a cohesive alphabet with maximum solidity and a modern, engineered personality. By keeping stroke behavior uniform and leaning on superelliptical bowls and squared terminals, it aims for strong presence and easy recognition in display applications.
The uppercase set emphasizes block geometry (notably in C, G, O, Q), while diagonals (A, K, M, N, V, W, X, Y) introduce sharp energy via angled cuts. Numerals follow the same rounded-rect logic, with an especially squared 0 and compact, high-impact forms suited to display. In text, the strong weight and tight interior spaces increase presence but can reduce openness at smaller sizes.