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Free for Commercial Use

Sans Superellipse Jenu 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Komet' and 'Komet Pro' by Jan Fromm, 'Corpid' by LucasFonts, 'Famiar' by Mans Greback, and 'Quodlibet Sans' by Signature Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, chunky, modern, display impact, friendly branding, geometric clarity, modern utility, soft-cornered, compact, geometric, high-impact, rounded.


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A heavy, geometric sans with rounded-rectangle (superellipse) construction throughout. Curves are broad and smooth, corners are consistently softened, and joins stay clean without visible contrast or modulation. Counters are compact and often squarish, giving letters a dense, sturdy texture; apertures tend to be relatively tight, especially in forms like C, S, and e. The lowercase uses single‑storey a and g, a short crossbar on t, and generally compact proportions that keep word shapes blocky and uniform. Numerals follow the same soft, squared geometry, with a simple, straight 1 and rounded, chunky bowls elsewhere.

Best suited for headlines, display copy, logos, packaging, and signage where strong weight and soft geometry can carry a clear personality. It also works well for short UI labels, badges, and social graphics that need friendliness with punch, while longer text benefits from generous size and spacing.

The overall tone is approachable and upbeat, with a toy-like solidity that reads as confident rather than formal. Its softened geometry keeps it friendly, while the dense black shapes create an assertive, attention-grabbing presence. The rhythm feels contemporary and slightly playful, suited to bold statements and energetic branding.

The design appears intended as a high-impact display sans that merges geometric simplicity with softened, superelliptical curves. It aims to deliver a modern, approachable voice while maintaining strong silhouette clarity and consistent rhythm across glyphs.

Because the counters and apertures are relatively tight at this weight, the face gains strong poster impact but can feel dense in long passages or at small sizes. The consistent rounding and squared curves create a distinctive “bubble-block” texture that stays coherent across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸