Sans Superellipse Otmuj 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'CA BND' by Cape Arcona Type Foundry, 'Golden Record' by Mans Greback, 'Decima Pro' by TipografiaRamis, and 'Aksioma' by Zafara Studios (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, signage, friendly, confident, modern, clean, approachable, impact, clarity, warmth, modernity, rounded, geometric, compact, sturdy, high-contrast.
A heavy, geometric sans with rounded-rectangle construction and softly squared curves throughout. Strokes are uniform and the joins are clean, producing compact counters and a dense, solid color on the page. Terminals are consistently rounded, with minimal modulation and a stable, upright stance. Uppercase forms feel wide and architectural, while the lowercase stays compact with simple, open structures and short, sturdy extenders; numerals share the same rounded geometry and bold presence.
Best suited to display sizes where its heavy, rounded geometry can carry personality—headlines, logos, packaging, posters, and bold UI moments like feature banners or hero text. It can work for short passages when set generously, but its dense counters make it most effective in concise copy and titling.
The overall tone is modern and friendly, with a confident, no-nonsense weight that still feels approachable due to the softened corners and smooth curves. It reads as contemporary and product-oriented—assertive without being aggressive—making it suitable for upbeat, clear communication.
The design appears intended to deliver a contemporary, geometric voice with softened corners for warmth, balancing strong impact with clarity. Its consistent stroke and rounded-rectilinear construction suggest a focus on branding versatility and high-visibility display use.
Round letters such as O/C/G lean toward superelliptical shapes rather than perfect circles, and many curves resolve into subtly squared shoulders. The thick weight reduces interior space in letters like a/e/s, so it performs best when given adequate size and spacing. The figures are especially robust, with a strong, poster-like rhythm in sequences.