Sans Superellipse Ogkoj 10 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Final Edition JNL' by Jeff Levine, 'Industrial Gothic' by Monotype, and 'Balboa Plus' by Parkinson (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, condensed, authoritative, sporty, retro, space saving, high impact, brand presence, display clarity, graphic punch, blocky, rounded, compact, sturdy, punchy.
A tightly condensed, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, producing dense, compact letterforms and a strong vertical rhythm. Counters are relatively small and often more squared than circular, and terminals tend to end in flat cuts with gentle rounding. The lowercase follows the same compressed geometry, with short ascenders/descenders and sturdy joins that keep texture even in long lines.
Best suited to headlines and short, high-impact lines where compact width and strong color are an advantage. It works well for branding, sports graphics, posters, and packaging that need a dense, assertive voice. In longer passages it will create a dark, forceful texture, so generous leading and careful sizing help maintain clarity.
The overall tone is bold and no-nonsense, with a utilitarian confidence that reads as industrial and athletic. Its compact shapes and rounded squareness evoke a slightly retro, poster-like flavor while staying clean and modern. The font projects urgency and impact rather than delicacy, making it feel assertive and headline-forward.
The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle forms to keep the tone friendly enough while remaining tough and industrial. Its consistent, sturdy construction suggests a focus on display clarity, repeatable rhythm, and a strong typographic footprint across letters and numerals.
Round letters like O/Q and numerals lean into a superelliptical feel, giving curves a squared-off tension rather than a purely circular softness. The comma, period, and apostrophe appear as simple, solid marks that match the heavy color of the text, and the figures share the same compressed, blocky proportions for consistent emphasis in mixed setting.