Sans Superellipse Ugmiv 6 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'DIN Next Paneuropean' by Monotype, 'Fact' by ParaType, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, 'Nuno' by Type.p, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, confident, energetic, retro, punchy, impact, motion, compactness, approachability, branding, rounded, compact, slanted, blocky, soft corners.
A compact, heavy italic sans with rounded-rectangle construction and generously softened corners. Strokes stay largely uniform, creating a dense, poster-like color, while the rightward slant adds forward motion. Counters are small and clean, curves are squarish and controlled rather than circular, and terminals tend to look clipped or blunt. The overall rhythm is tight and space-efficient, with narrow widths and sturdy, simplified silhouettes that prioritize impact over delicacy.
Best used for headlines, titles, and short bursts of text where impact and motion matter—posters, sports and fitness branding, product packaging, and logo wordmarks. It can also work for bold UI labels or signage when set with generous spacing, but its dense weight and tight proportions favor display applications over long reading.
The tone is bold and driven, with a sporty, high-energy feel that reads as assertive and modern while also nodding to vintage athletic and display lettering. Its rounded squareness keeps it friendly, but the weight and slant make it feel competitive and urgent—well suited to attention-grabbing messages.
The design appears intended to deliver maximum visual punch in a compact footprint, combining rounded-rect geometry with a strong italic slant for speed and emphasis. It aims for a contemporary athletic/display voice that remains approachable through softened corners and simplified, sturdy forms.
The figures and uppercase forms feel particularly strong and sign-like, maintaining consistent density across the set. Diagonals and joins are built to stay solid at large sizes, and the italic angle is pronounced enough to communicate motion without becoming calligraphic.