Sans Normal Ordet 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Sero' by FontFont, 'Calton' by LetterMaker, 'Prelo Pro' by Monotype, 'Akwe Pro' by ROHH, 'Core Sans N SC' and 'Core Sans NR' by S-Core, and 'NuOrder' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, friendly, contemporary, punchy, straightforward, impact, clarity, modernity, versatility, geometric, rounded, clean, compact, blocky.
A heavy, geometric sans with broadly rounded curves and sturdy verticals that create a compact, high-impact silhouette. Terminals are mostly blunt with occasional slightly angled cuts, and counters are generous enough to stay clear at large sizes despite the dense stroke weight. The lowercase keeps simple, single-storey forms (notably a and g) with rounded bowls and short, practical joins, while the capitals lean on broad curves (C, G, O) and squared-off horizontals (E, F, T) for a steady rhythm. Numerals share the same solid build, with rounded figures like 0/6/8/9 and more angular 1/4/7, giving a consistent, utilitarian texture in text and titling.
Best suited to display contexts where strong color and immediate legibility matter—headlines, posters, brand marks, packaging callouts, and wayfinding. It can also work for short bursts of text (decks, captions, UI labels) when you want a firm, modern tone, though the dense weight and tight rhythm will dominate long reading settings.
The overall tone is bold and approachable, with a modern, no-nonsense presence that feels designed for clarity and emphasis rather than delicacy. Its rounded geometry and even color give it a friendly, contemporary voice that reads as practical and confident.
The design intention appears to be a robust, geometric sans that delivers maximum impact with clean, uncomplicated shapes. It prioritizes visual solidity and quick recognition across a range of characters while maintaining an approachable, modern character.
Spacing appears relatively tight and the letterforms are wide enough to feel stable, producing a strong typographic “block” in paragraphs. The design relies on clear geometric construction, with minimal stylistic quirks and a consistent, uniform stroke treatment across uppercase, lowercase, and figures.