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Serif Other Witu 1 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'OL Newsbytes' by Dennis Ortiz-Lopez, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, 'Lektorat' by TypeTogether, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, event promos, western, carnival, vintage, playful, rowdy, display impact, vintage flavor, handmade texture, poster styling, roughened, soft-edged, wedge-serif, rounded, blunt.


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A heavy, display-oriented serif with chunky proportions and softly irregular contours. Strokes are largely monoline with subtly uneven edges that feel pressed or distressed rather than sharply chiseled. Serifs read as short, blunt wedges that flare gently at terminals, with rounded corners throughout to keep the silhouette friendly despite the mass. Counters are compact and sometimes pinched, and the overall rhythm is bouncy, with small variations in stem shape and terminal width contributing to a handmade, poster-like texture.

Best suited to large-size display work where its roughened edges and compact counters can read clearly—posters, bold headlines, storefront signage, event promotions, and packaging that aims for a vintage or Western-leaning flavor. It can also work for short bursts of copy such as titles or pull quotes, but it is not optimized for long text settings.

The font projects a loud, nostalgic personality reminiscent of Western posters, old show bills, and novelty packaging. Its softened roughness adds warmth and humor, making it feel informal and attention-seeking rather than refined. The overall tone is bold, folksy, and slightly mischievous.

The design appears intended to deliver a high-impact, decorative serif with a deliberately imperfect, printed texture. It prioritizes personality and instant recognition, evoking period poster lettering and novelty display typography while maintaining a consistent underlying structure.

The texture is consistent across uppercase, lowercase, and numerals, creating a cohesive “inked” feel at larger sizes. The figure set is sturdy and characterful, matching the letterforms’ wedge-like terminals and compact counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸