Sans Superellipse Utlok 6 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'Fagot' by VladB (names referenced only for comparison).
Keywords: branding, posters, headlines, logotypes, packaging, tech, futuristic, industrial, confident, playful, display impact, tech tone, geometric consistency, modern branding, rounded, geometric, squared, extended, soft corners.
A geometric sans with an extended stance and a rounded-rectangle (superellipse) construction. Strokes are consistently heavy with smooth, uniform weight and generously rounded corners, creating a soft but engineered silhouette. Counters tend toward horizontal ovals and rounded slots, and many joins are simplified into clean, squared terminals with curvature rather than sharp points. The overall rhythm is broad and steady, with compact interior spaces in letters like B, R, and a single-storey a, while the numerals mirror the same rounded, modular geometry.
Best suited for bold headlines, brand marks, and short-form messaging where its wide, rounded geometry can be a defining visual element. It works particularly well for technology products, gaming/esports graphics, futuristic or industrial-themed campaigns, packaging, and signage-style compositions where clarity and impact are prioritized over dense text economy.
The font reads as modern and techno-forward, balancing a friendly softness from the rounded corners with an assertive, high-impact presence from its blocky proportions. Its wide set and squared curves evoke digital interfaces, sci‑fi branding, and industrial signage, while still feeling approachable rather than aggressive.
The design appears intended to deliver a distinctive, contemporary display voice built from rounded-rectangular geometry—prioritizing strong silhouette, consistency, and a tech-leaning feel. Its extended proportions and simplified, modular forms suggest an emphasis on brand recognition and graphic presence in large sizes.
Letterforms show a strong preference for simplified geometry: circular shapes become horizontally stretched superellipses, and diagonals (V, W, X, Y) are sturdy and symmetrical. The lowercase remains highly geometric with single-storey forms and a functional, minimal ‘t’, reinforcing a constructed, display-oriented character.