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Sans Superellipse Omlaf 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Midnight Sans' by Colophon Foundry, 'Patrima' by Juri Zaech, 'Nulato' by Stefan Stoychev, and 'Mittelschrift Austria' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, ui labels, posters, branding, wayfinding, modern, friendly, confident, clean, techy, approachability, clarity, modernity, impact, simplicity, rounded corners, geometric, compact, high contrast-free, sturdy.


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A heavy, geometric sans with smooth, rounded-rectangle construction and consistently rounded terminals. Strokes maintain an even thickness with minimal modulation, producing solid, compact letterforms and tight internal counters. Curves are broad and controlled (notably in C, O, S, and 0), while straight-sided shapes like E, F, H, and N feel firmly engineered. The lowercase is simple and legible with single-storey forms (a, g) and a short, practical t, giving the face a straightforward, utilitarian rhythm.

This font performs best in display roles where its weight and rounded geometry can carry emphasis—headlines, posters, packaging, and brand marks. Its straightforward shapes and sturdy numerals also suit UI labels, dashboards, and signage-style wayfinding where quick recognition matters.

The overall tone is modern and approachable, pairing a strong, confident presence with softened corners that keep it from feeling harsh. It reads as clean and contemporary, with a slightly tech-forward, system-like clarity that still feels friendly rather than sterile.

The design appears intended to deliver a contemporary geometric voice with softened corners for approachability, combining strong presence with clean legibility. Its consistent construction suggests a focus on clarity and repeatable shapes suitable for modern digital and brand environments.

Numerals follow the same rounded, geometric logic, with generous curvature and compact proportions that help them hold up at larger sizes. The punctuation in the sample text appears plain and workmanlike, supporting a no-nonsense voice appropriate for interface and branding contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸