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Free for Commercial Use

Serif Other Tege 7 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Neue Farmero' by Kaligra.co and 'Koroleva Umka' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, mastheads, brand marks, packaging, gothic, vintage, formal, institutional, dramatic, compact impact, gothic flavor, display clarity, emblematic tone, blackletter-leaning, angular, chamfered, pointed serifs, beveled corners.


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A condensed serif with tall, vertical proportions and compact sidebearings, built from straight strokes and sharp internal corners. Terminals are treated with pointed, wedge-like serifs and frequent chamfering, giving many joins a faceted, cut-metal feel rather than a smooth bracketed transition. Curves are minimized into angular arcs (notably in C, G, O, and S), while the lowercase keeps a sturdy, upright stance with blocky bowls and short, crisp arms. Numerals follow the same chiseled construction, with squared counters and clipped corners that maintain a tight, uniform rhythm in display settings.

This font is well suited for headlines, posters, and mastheads that need a compact footprint with strong impact. It can also work for branding elements, packaging, and labels where a traditional or gothic-leaning tone supports the message, especially in short phrases and titling.

The overall tone is gothic and old-world, with a stern, authoritative presence that reads as historical and ceremonial. Its sharp serifs and compressed silhouette project intensity and discipline, evoking signage, mastheads, and formal titling where a slightly medieval or vintage flavor is desirable.

The type appears designed as a display face that compresses width while preserving a traditional serif identity through pointed terminals and faceted stroke endings. Its simplified curves and repeated chamfer motifs suggest an intention to create a bold, emblematic texture that remains legible at larger sizes and in tightly set titles.

The design relies on repeated chamfers and wedge terminals for consistency, which makes it feel engineered and emblematic. In longer lines, the dense texture and narrow set create a strong, dark typographic color best suited to headlines rather than extended reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸