Print Suma 11 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Polaris' by AVP, 'Linear Grotesk' by Designova, 'Clinica Pro' by Mint Type, 'Reyhan' by Plantype, 'Founder Rounder' by Serebryakov, and 'Gart Sans' by Vitaliy Gotsanyuk (names referenced only for comparison).
Keywords: posters, headlines, packaging, children’s media, stickers, playful, friendly, casual, retro, bouncy, approachability, handmade feel, display impact, retro charm, whimsy, rounded, soft, chunky, cartoonish, hand-drawn.
A heavy, rounded print face with soft corners and subtly uneven contours that mimic marker or brush drawing. Strokes are thick and mostly monoline, with gentle swelling at curves and occasional teardrop-like terminals. Counters are compact and rounded, and many joins are bulbous, giving letters a slightly inflated silhouette. Proportions vary from glyph to glyph, creating an irregular rhythm; several forms lean on simplified, almost stencil-like construction (notably in straight stems and broad bowls), while diagonals and curves remain smooth and cushioned.
Best suited to short-form, high-impact typography such as posters, headlines, packaging callouts, and brand marks that want an informal, welcoming voice. It also fits children’s materials, playful signage, and merchandise graphics where bold, rounded forms help maintain clarity and character at larger sizes.
The overall tone is cheerful and approachable, with a lighthearted, kid-friendly energy. Its hand-made quirks and bouncy shapes suggest informality and warmth rather than precision, evoking a retro cartoon or poster feel.
The design appears intended to deliver a friendly display voice that feels hand-rendered and spontaneous, combining strong visual weight with softened geometry. Its deliberate irregularity adds personality and motion, prioritizing charm and approachability over strict typographic neutrality.
In text, the dense black color and tight internal spaces create strong impact at display sizes, while the irregular widths and soft terminals keep lines from feeling rigid. The figures follow the same rounded, chunky logic, with clearly differentiated shapes and a consistent, playful weight distribution.