Serif Flared Otra 2 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'ATF Wedding Gothic' by ATF Collection, 'Seeker' by Asenbayu, 'Copperplate New' by Caron twice, 'Gremlin' by Hazztype, 'Radiate Sans' by Studio Sun, and 'Beardstown' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, assertive, retro, sporty, punchy, industrial, impact, brand stamp, retro display, signage strength, high visibility, flared, bracketed, ink-trap feel, compact, blocky.
A heavy, wide display serif with strongly flared terminals and short, wedge-like serifs that read as bracketed and slightly sculpted rather than slabby. Strokes are largely monoline in impression, with broad curves and generous counters that keep the forms open at large sizes. Many joins and inner corners show subtle notches and tightened apertures, giving an ink-trap-adjacent, engineered feel. The overall rhythm is steady and upright, with compact lowercase shapes and sturdy, squared-off shoulders that emphasize mass and stability.
Best suited to large-scale applications where its width, mass, and flared detailing can read cleanly—headlines, poster typography, sports or team-style branding, and bold packaging. It can also work for short signage copy or label systems where a strong, compact voice is desired, but it is likely most effective in display settings rather than long text.
The font projects confidence and impact, combining a mid‑century/retro display flavor with a tough, utilitarian edge. Its flared endings and carved details add a crafted, emblematic tone that feels at home in bold, attention-seeking contexts.
The design appears intended to deliver maximum visual authority with a wide stance and distinctive flared finishing, creating a recognizable, stamp-like texture. The small cut-ins and shaped terminals suggest an aim for durability and legibility in heavy weight, while keeping a stylized, retro-industrial personality.
Uppercase forms feel especially emblematic and signage-like, while the lowercase maintains the same dense, weight-forward construction. Numerals are broad and headline-oriented, matching the overall blocky texture and strong horizontal presence.