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Sans Normal Baze 5 is a very bold, very wide, medium contrast, reverse italic, normal x-height font visually similar to 'Asgard' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, titles, playful, quirky, punchy, retro, attention grab, playful branding, retro display, expressive impact, rounded, bulky, tilted, bouncy, cartoonish.


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A heavy, rounded sans with exaggerated width and a consistent left-leaning slant. Shapes are built from broad, soft curves and thick strokes with compact counters, creating an ink-trap-free, poster-like mass. Terminals are generally blunt and smooth, while joins and diagonals feel slightly irregular, giving the letterforms a hand-cut, animated rhythm. Uppercase forms are expansive and blocky; lowercase is similarly wide with simple, sturdy structures and single-storey-style silhouettes where applicable. Numerals match the same inflated, rounded geometry and read best at larger sizes.

This font is best suited to display applications such as posters, headlines, title cards, and bold branding moments where an expressive, chunky voice is desired. It can work well for playful packaging, event graphics, and youth-oriented or entertainment contexts. For body copy or tight layouts, its width and density may require larger sizes and ample space to maintain clarity.

The overall tone is energetic and humorous, with a deliberately off-kilter stance that feels lively rather than formal. Its chunky curves and bouncing rhythm suggest a retro, cartoon-adjacent personality suited to attention-grabbing display work. The slanted posture adds motion and cheekiness, pushing it toward expressive, informal messaging.

The design appears intended to deliver maximum visual impact through inflated, rounded forms and an intentionally quirky slant. It prioritizes personality and motion over neutrality, aiming for a fun, approachable feel with strong shelf and headline presence.

Spacing appears generous and the broad proportions create a strong horizontal texture line, especially in all-caps settings. In longer text samples the weight and width dominate, so the font’s strengths are in impact and character rather than subtlety. The italicized tilt is prominent enough to read as a stylistic signature across both letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸