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Free for Commercial Use

Sans Superellipse Fynum 6 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Brown Pro' by Shinntype, 'Reznik' by The Northern Block, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, advertising, sporty, punchy, retro, energetic, assertive, attention grabbing, display impact, convey speed, brand emphasis, poster use, slanted, rounded, compact, blocky, smooth.


Free for commercial use
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A heavy, forward-slanted sans with rounded, superelliptical bowls and compact internal counters. Strokes are thick and steady with subtle modulation, and terminals tend to be softly squared rather than sharp. The overall construction favors broad, simplified curves and sturdy verticals, producing a dense, high-impact texture in words. Numerals and capitals share the same robust, slightly condensed feel, with open, readable apertures kept secondary to mass and momentum.

Best suited to short, high-visibility text such as headlines, posters, promotions, and bold packaging callouts. The weight and slant make it effective for sports branding, event graphics, and energetic advertising where immediate impact matters more than extended-text comfort.

The font projects speed and confidence, with a strong, athletic tone that feels made for emphasis. Its slant and weight give it a dynamic, action-oriented voice, while the rounded geometry adds a friendly, accessible edge. Overall it reads as bold, attention-grabbing, and a bit vintage in its poster-like presence.

The design appears intended to deliver maximum emphasis with a fast, italicized cadence and rounded, modernized forms. It prioritizes strong silhouette and consistent geometric curves to stay legible and cohesive at display sizes while maintaining a lively, energetic personality.

Spacing appears tuned for headline setting: letters sit tightly and form a cohesive dark stripe in longer lines. The rounded rectangular shaping keeps curves consistent across the set, helping maintain uniform rhythm despite the pronounced slant.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸