Sans Normal Pimol 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Elisar DT' and 'Elisar DT Infant' by DTP Types, 'Akwe Pro' by ROHH, 'June Pro' by Schriftlabor, 'Multi' by Type-Ø-Tones, and 'Merlo Neue' by Typoforge Studio (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, playful, sporty, friendly, punchy, retro, impact, emphasis, approachability, motion, headline clarity, rounded, soft corners, chunky, bouncy, compact counters.
A heavy, right-leaning sans with broad proportions and rounded geometry. Strokes are thick and consistent, with softened terminals and gently squared curves that keep forms sturdy rather than delicate. Counters are relatively compact, giving letters a dense, poster-ready presence, while the italic slant adds forward motion. The rhythm is lively, with slightly elastic shapes and a robust baseline feel that stays readable at large sizes.
Best suited to headlines, posters, and brand moments that need immediate impact and an upbeat voice. It works well for sports and streetwear-style graphics, casual branding, packaging, and promotional copy where bold italic energy is a feature. For long-form text, its dense counters and heavy color suggest using it sparingly as a display face rather than for extended reading.
The overall tone is energetic and approachable, balancing bold impact with a friendly, cartoon-adjacent softness. It suggests motion and emphasis—more “shout” than “whisper”—without turning sharp or aggressive. The rounded forms and heavy weight give it a fun, informal confidence that reads well in expressive settings.
Likely designed as a high-impact display sans that combines the emphasis of an italic slant with rounded, friendly shapes. The goal appears to be instant readability at large sizes and a sense of motion, making it effective for attention-grabbing titles and branding where warmth and energy are both desired.
Round glyphs like O/0 read as stout ovals, and curved letters (C, S) keep a smooth, inflated silhouette. Diacritics aren’t shown, but visible punctuation in the sample (apostrophe, question mark, ampersand) matches the same thick, rounded construction. Numerals are similarly weighty and headline-oriented, with simple, bold shapes that prioritize clarity over fine detail.