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Free for Commercial Use

Sans Normal Osloz 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Formata', 'Formata W1G', and 'Poppl-Laudatio' by Berthold; 'Prenton RP' by BluHead Studio; 'Mellnik Text' by ParaType; and 'Belle Sans' by Park Street Studio (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, playful, punchy, friendly, casual, retro, impact, approachability, display strength, playfulness, rounded, blunt, bulky, soft corners, compact.


Free for commercial use
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A heavy, rounded sans with compact counters and broadly curved bowls that read as sturdy and dense. Strokes are consistently thick with softly blunted terminals, giving letters a slightly cushioned silhouette rather than crisp, sharp endings. Curves dominate the construction (notably in C, G, O, S), while straight-sided forms like E, F, H, and N keep a stable, blocky rhythm. Lowercase is sturdy and simplified, with a single-storey a and g and short, thick joins that emphasize mass over delicacy; numerals match the same chunky, rounded feel.

Best suited to headlines, posters, packaging, and branding where a strong, friendly voice is needed. It also works well for short UI labels or signage when you want high impact without a harsh, industrial feel; for longer passages, generous size and spacing help maintain clarity.

The overall tone is bold and approachable, combining a friendly softness with a loud, poster-like presence. Its rounded, compact forms feel informal and energetic, suggesting playful retail, entertainment, and lighthearted editorial uses rather than formal or technical contexts.

The font appears designed to deliver maximum visual weight with a warm, rounded character, prioritizing immediacy and approachability. Its simplified, chunky forms aim for confident readability in display settings while keeping an informal, upbeat personality.

The design’s tight apertures and compact counters amplify darkness at text sizes, while the broad shapes remain clear and emphatic in headlines. The mix of rounded geometry and blunt terminals creates a slightly bouncy, informal texture across words, especially in repeated verticals and wide bowls.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸