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Free for Commercial Use

Sans Superellipse Pimid 3 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Gilkons' by Letterhend, 'Stallman Round' by Par Défaut, 'Aldo Pro Round' by Sacha Rein, 'Godiva' by Suby Studio, and 'Rotundus' by dayflash (names referenced only for comparison).

Keywords: headlines, posters, signage, logos, packaging, industrial, retro, technical, assertive, sporty, space saving, high impact, systematic, friendly solidity, display clarity, rounded corners, condensed, blocky, squared rounds, high contrast-free.


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A compact, heavy sans with squared-round construction and consistently rounded corners throughout. Strokes remain even and monolinear, producing a solid, poster-ready texture with minimal modulation. Curves tend toward superellipse-like rounded rectangles, and counters are tight but clean, giving letters a sturdy, engineered feel. Terminals are blunt and uniform, with a generally condensed stance and steady vertical rhythm across caps, lowercase, and figures.

Best suited for headlines and short display text where its condensed, blocky shapes can read quickly and hold attention. It works well for signage, packaging, logos, and interface or product labeling that benefits from a sturdy, rounded-industrial voice.

The overall tone is confident and utilitarian, balancing a retro display sensibility with a modern, technical crispness. Its chunky forms and rounded geometry feel approachable but firm, suggesting signage, equipment labeling, or athletic branding rather than delicate editorial work.

The design appears intended to deliver maximum impact in limited horizontal space while maintaining friendly, rounded geometry. By combining uniform stroke weight with softened corners and squared-round construction, it aims for a distinctive display sans that stays systematic and highly legible at larger sizes.

Distinctive rounded-rect counters and softened corners keep the weight from feeling harsh, while the narrow proportions concentrate ink for strong impact in short lines. Numerals match the letterforms with the same squared-round geometry, reinforcing a cohesive, system-like look.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸