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Free for Commercial Use

Sans Superellipse Hikas 8 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Play Acting JNL' by Jeff Levine, 'Behover' by Martype co, 'Core Mellow' by S-Core, 'Merlod' by Stawix, 'Maqui' by Typodermic, 'Emmentaler' by Umka Type, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, sporty, retro, assertive, compact, space-saving impact, display clarity, geometric warmth, graphic boldness, rounded, condensed, blocky, sturdy, soft-cornered.


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A compact, heavy sans with rounded-rectangle construction throughout. Strokes stay largely even in thickness, with broad verticals and tight counters that create a dense, poster-like color on the page. Curves are squared-off into softened corners (superellipse-like), giving bowls and terminals a blocky but friendly geometry. The rhythm is tall and condensed with short extenders, and several joins and terminals resolve into flat, squared ends rather than tapered or calligraphic forms.

Best suited for headlines, posters, labels, and branding where a strong, compact wordshape is needed in limited horizontal space. It can work well for packaging, signage, and sports or industrial-themed graphics, especially at medium-to-large sizes where the tight counters remain clear.

The overall tone is bold and no-nonsense, with an industrial, athletic edge softened by rounded corners. It feels contemporary and utilitarian, but with a slight retro signage flavor due to the compressed width and rounded-rect geometry. The dense texture reads confident and attention-grabbing, prioritizing impact over delicacy.

The design appears intended to deliver maximum impact in a narrow footprint while keeping a cohesive, rounded-rect aesthetic. Its consistent stroke weight and softened corners suggest a goal of combining assertive display presence with a modern, approachable finish.

Uppercase forms are particularly compact with narrow apertures, while lowercase maintains a simple, sturdy construction that stays consistent in weight and corner treatment. Numerals are similarly blocky and legible at display sizes, matching the condensed stance and rounded-square logic seen in letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸