Sans Superellipse Abdim 15 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Moniak Sans' by Design Komando; 'Siro' by Dharma Type; 'Qubo' by Hoftype; 'Kyrial Sans Pro' by Mostardesign; and 'Core Gothic N', 'Core Sans N', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: ui text, brand systems, signage, presentations, packaging, clean, neutral, modern, friendly, utilitarian, versatility, clarity, approachability, modernization, rounded, geometric, open counters, even rhythm, clear numerals.
A rounded geometric sans with superelliptical curves and broadly even stroke thickness. Round letters like C, O, and G are built from softened, slightly squared bowls, while straights keep crisp terminals and stable verticals. Proportions are balanced with generous apertures and open counters, giving the lowercase a straightforward, single-storey construction and the overall set a steady, readable rhythm. The numerals are simple and contemporary, with clear differentiation and consistent weight relative to the letters.
This font suits interface copy, product and brand systems, and general-purpose communication where clarity and a contemporary feel are needed. Its open forms and rounded geometry make it a solid choice for dashboards, labels, wayfinding, and medium-to-large editorial or marketing text.
The tone is modern and approachable, combining a clean, matter-of-fact structure with softened corners that reduce severity. It reads as neutral and functional rather than expressive, with a subtle friendliness coming from the rounded geometry.
The design appears intended as a versatile, contemporary sans that prioritizes clarity and consistency while adding a gentle softness through superelliptical rounds. It aims to stay neutral across contexts, functioning as a dependable workhorse for both display and everyday text.
Uppercase forms stay disciplined and symmetrical, while lowercase maintains compact, efficient shapes that hold up well in running text. Diacritics and punctuation shown in the sample sit comfortably at the same visual weight, supporting a cohesive texture across mixed-case settings.