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Slab Contrasted Sedy 12 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Aachen' and 'Neue Aachen' by ITC, 'Aachen SB' and 'Aachen SH' by Scangraphic Digital Type Collection, and 'Aachen' by Tilde (names referenced only for comparison).

Keywords: headlines, posters, signage, sports branding, packaging, western, retro, assertive, industrial, collegiate, impact, vintage signage, sturdy branding, display clarity, blocky, bracketed, chunky, compact, ink-trap-like.


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A heavy slab-serif design with compact proportions and strongly bracketed, rectangular serifs. Strokes are broadly even but show enough contrast and shaping to keep counters open, with rounded joins and subtly carved inner corners that hint at ink-trap-like notches in places. The uppercase is wide and sturdy with squared terminals and a consistent, poster-ready rhythm, while the lowercase stays robust and compact with short extenders and large, simple bowls. Figures are blunt and geometric, matching the letterforms’ dense, high-impact silhouette.

This font is best suited to headlines, posters, and signage where its thick slabs and compact rhythm can deliver impact. It also works well for sports branding, label-style packaging, and short editorial callouts that benefit from a sturdy, nostalgic voice. For longer passages, it’s more comfortable in brief bursts or as a display companion rather than continuous text.

The tone is bold and confident with a distinctly vintage, workmanlike character. Its slab serifs and carved corners evoke classic signage and old-style print ephemera, giving it a slightly Western and collegiate flavor without feeling decorative or fussy.

The design appears intended to provide a strong, attention-grabbing slab-serif for display use, balancing solid rectangular construction with enough internal shaping to keep forms legible and lively. Its proportions and serif treatment suggest a goal of evoking traditional printing and signage while remaining clean and systematic for modern layout work.

At larger sizes the detailing in the brackets and interior cut-ins becomes a defining feature; at smaller sizes the overall block mass reads first, so generous tracking can help maintain clarity in dense settings. The set keeps a consistent weight and footprint across caps, lowercase, and numerals, supporting a cohesive typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸