Sans Superellipse Ibmeh 9 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'FX Neofara' by Differentialtype, 'Mothem' by Gerobuck, 'Budoin' by Lemonthe, 'PODIUM Sharp' by Machalski, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, assertive, compact, modern, impact, space saving, modern utility, brand emphasis, display strength, rounded corners, condensed, blocky, sturdy, punchy.
A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are uniform and monolinear, with broad verticals and tight internal counters that create a dense, dark texture. Curves read as squarish superellipses rather than true circles, and many joins are blunt and simplified for impact. The overall rhythm is tightly spaced and vertically emphatic, producing a strong, compressed silhouette across both uppercase and lowercase.
This font performs best in display settings such as headlines, posters, and bold branding where a compact, high-impact voice is needed. It can work well for sports or industrial-themed identities, packaging callouts, and large-format signage where the dense shapes and simplified counters hold together. In longer text or small sizes, the tight apertures and heavy color may reduce readability, so generous size and spacing are recommended.
The tone is forceful and utilitarian, with a sporty, industrial edge. Its condensed massing and squared curves feel modern and efficient, prioritizing punch and immediacy over nuance. The result is confident and attention-grabbing, suited to messages that need to read loud and direct.
The design appears intended to deliver maximum impact in a condensed footprint, using rounded-rectangle geometry to keep the shapes friendly while remaining tough and mechanical. It emphasizes consistency and solidity, aiming for strong shelf and screen presence in bold, contemporary layouts.
Uppercase forms are particularly block-like with short crossbars and compact apertures, while the lowercase keeps a similarly robust build with minimal modulation. Numerals follow the same squared-round logic, staying bold and highly legible at large sizes with a strong, poster-like presence.