Sans Superellipse Gymap 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Bike Tag JNL' and 'Celluloid JNL' by Jeff Levine, 'Cartella NF' by Nick's Fonts, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, branding, posters, logos, packaging, tech, industrial, sports, futuristic, friendly, impact, modernity, clarity, brandable, tech feel, rounded, blocky, compact, geometric, square-rounded.
A heavy, geometric sans with forms built from rounded rectangles and superellipse-like curves. Corners are broadly radiused and counters tend to be squarish, creating a compact, blocky silhouette with smooth edges. Strokes are consistently thick and terminals are clean and mostly horizontal/vertical, with occasional angled cuts that add snap to letters like S, Z, and some diagonals. The lowercase is sturdy and simple with single-storey a and g; the i/j use square dots, and bowls in letters like o, p, b, and d feel tightly contained for a dense, sign-like color.
Best suited to display roles where impact and clarity matter: headlines, brand marks, product naming, packaging, and bold editorial callouts. It also fits UI and in-app headings where a rounded, tech-forward voice is desired and letterforms need to remain clear at medium-to-large sizes.
The overall tone is modern and engineered—confident, sturdy, and slightly futuristic. Its rounded-square geometry keeps it approachable while the mass and tight counters make it feel assertive and performance-oriented, echoing tech UI and sports branding aesthetics.
The design appears intended to deliver a bold, contemporary voice using rounded-square geometry for a distinctive, cohesive family of shapes. It prioritizes strong silhouettes, clean construction, and quick recognition, aiming for high-impact typography that still feels friendly and controlled.
Capitals read especially uniform due to consistent widths and rounded-rectangle construction, while a few characters introduce distinctive cuts (notably in S and Z) that increase character recognition at display sizes. Numerals follow the same squarish, rounded logic, with an open, angular 4 and compact 8/9 shapes that maintain a strong, even texture in lines of text.