Sans Superellipse Esgip 12 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'EB Corp' by Eko Bimantara, 'Moveo Sans' by Green Type, 'Passenger Sans' by Indian Type Foundry, 'Cairoli Classic' by Italiantype, and 'Motigen' by skillyas studio (names referenced only for comparison).
Keywords: headlines, branding, sports, posters, packaging, sporty, technical, energetic, assertive, contemporary, impact, speed, modernity, clarity, oblique, rounded, superelliptical, compact, punchy.
A heavy, oblique sans with softened, superelliptical curves and compact internal counters. Strokes are largely monolinear, with rounded joins and subtly squared-off terminals that keep forms crisp despite the rounding. Uppercase proportions feel wide and stable, while the lowercase shows a pragmatic, slightly condensed rhythm with sturdy bowls and short, efficient extenders. Numerals are similarly robust, with smooth, rounded geometry and clear, poster-ready silhouettes.
Best suited to headlines, logos, and brand systems that benefit from a dynamic slant and solid presence. It works well for sports and performance-oriented messaging, product packaging, and posters where strong silhouettes matter. In longer text, it will read most comfortably at moderate-to-large sizes where the compact counters can breathe.
The overall tone is fast and performance-driven, pairing a sporty slant with confident, modern mass. Its rounded-rectangle construction adds a technical, engineered feel, while the weight and tight apertures project assertiveness and impact. The result reads as contemporary and energetic rather than friendly or delicate.
The design appears intended to combine speed and clarity: a forward-leaning, heavy sans that stays controlled through rounded-superellipse geometry. It prioritizes strong word shapes and consistent rhythm for impactful display use, while remaining clean and functional in short paragraphs.
The italic angle is consistent across caps, lowercase, and figures, creating a cohesive forward motion in text. Counters tend to be compact (notably in bowls and closed forms), which increases darkness and density; spacing feels designed for punchy headings and short bursts of copy. Curved letters lean on squarish rounds, giving the face a distinctive, streamlined profile.