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Free for Commercial Use

Sans Superellipse Febok 10 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'PF Das Grotesk Pro' by Parachute and 'Gineso' by insigne (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, assertive, modern, industrial, impact, speed, compactness, modernization, oblique, geometric, rounded corners, condensed caps, ink-trap hints.


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A slanted, heavy sans with compact proportions and rounded-rectangle construction in its curves. Strokes are broadly uniform with tight joins and squared terminals softened by radiused corners, giving many letters a superelliptical feel (notably in C, G, O, and the bowls of b/p/d). Counters are relatively small for the weight, and the uppercase reads slightly condensed with a strong forward lean. Numerals follow the same compact, rounded geometry, with sturdy shapes and minimal modulation that keeps texture dense and even in text.

Best suited to headlines, branding, and promotional typography where a strong, slanted voice is desirable. It should perform well in sports and automotive-style graphics, packaging callouts, and display settings that benefit from dense, high-impact letterforms. In longer passages it will feel heavy and insistent, but it can work effectively for brief statements, labels, and UI highlights.

The overall tone is fast and forceful, with a sporty, performance-oriented energy. Its oblique stance and compact forms suggest motion and urgency, while the rounded geometry keeps it contemporary rather than aggressive or sharp-edged. The result feels confident and utilitarian, suited to bold, attention-getting messaging.

The font appears designed to deliver a compact, high-energy sans voice built from rounded-rectangular forms, balancing toughness with modern smoothness. The pronounced slant and tight counters emphasize speed and impact, suggesting use in contemporary, performance-driven visual identities.

The design maintains consistent rounding and curvature across cases, helping mixed-case settings feel cohesive. The italic angle is pronounced enough to be expressive, and the dense color can dominate at smaller sizes, favoring short bursts of copy over long reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸