Sans Superellipse Higov 1 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Outlast' by BoxTube Labs, 'Midsole' and 'Tradesman' by Grype, 'EFCO Growers' and 'Herchey' by Ilham Herry, and 'Industria Sans' by Resistenza (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sports, futuristic, industrial, playful, techy, retro, impact, modernize, systemize, simplify, rounded corners, squared curves, blocky, compact, geometric.
A heavy, block-like sans built from squared curves and rounded-rectangle construction. Strokes are consistently thick with minimal contrast, and terminals are mostly flat or softly radiused, giving forms a machined, modular feel. Counters tend toward squarish apertures (notably in letters like O, D, and P), and many joins are simplified into sturdy right-angle structures. The lowercase is compact with a large x-height and short extenders, while the overall spacing reads tight and efficient in text.
Best suited to headlines and display settings where its chunky geometry can read clearly and set a strong tone. It works well for branding marks, packaging, and promotional graphics that want an industrial or futuristic edge. In longer text it remains legible at larger sizes, but the dense shapes are most effective when given room to breathe.
The font conveys a bold, tech-forward attitude with a slightly game-like, retro-digital flavor. Its rounded corners soften the mass, keeping it approachable and energetic rather than severe. Overall, it feels engineered and modern, suited to graphics that want to look robust and confident.
The design appears intended to translate rounded-rectangle geometry into a cohesive, highly impactful display sans. It prioritizes uniform weight, simplified construction, and strong silhouettes to create a modern, modular voice that stands out in titles and graphic applications.
Distinctive superellipse-like rounds and squared counters create strong texture in headlines, while narrow openings in letters such as e and a contribute to a compact, stamped rhythm. Numerals follow the same rounded-rectangle logic, reinforcing a unified, systemized look across alphanumerics.