Sans Superellipse Abbuh 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Forza' by Hoefler & Co., 'Gerlach Sans' by Juraj Chrastina, 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, and 'Eurostile' and 'Eurostile Round' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, product design, branding, signage, presentations, modern, clean, neutral, technical, friendly, clarity, modernization, systematic design, approachability, rounded, monoline, geometric, soft corners, compact.
A crisp, monoline sans with superelliptical construction: curves read as rounded-rectangle arcs rather than perfect circles, giving counters and bowls a squarish softness. Strokes are even and largely uniform, with open apertures and simple, vertical terminals. Proportions feel balanced and slightly compact in the curves, while rounds (C, O, G, Q, 0) maintain a consistent radius and steady rhythm. Numerals and lowercase share the same straightforward geometry, producing a stable, highly regular texture in text.
Well suited to interface text, dashboards, and product experiences where neutrality and legibility are priorities. The controlled geometry also works for contemporary branding systems, wayfinding, and presentation typography that needs to feel clean and organized at a range of sizes.
The overall tone is modern and matter-of-fact, with a subtle friendliness coming from the rounded corners and smooth curves. It suggests clarity and efficiency rather than expressiveness, landing in a contemporary, tech-adjacent space without feeling cold.
The design appears intended to deliver a clear, contemporary sans built on superelliptical forms, trading overt personality for consistency, smoothness, and dependable readability. Its rounded-rectangle geometry aims to feel both modern and approachable while remaining practical for everyday typography.
Round characters show a distinctive squarish roundness that keeps shapes from feeling overly circular, and the punctuation and basic forms remain restrained and utilitarian. In longer lines, the even stroke weight and consistent curvature create a uniform typographic color that stays calm and predictable.