Sans Superellipse Ormaz 9 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Smart Sans' by Monotype, 'Beni' by Nois, 'Headliner TC' by Tom Chalky, and 'Pravda' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, assertive, retro, poster, space saving, high impact, display utility, signage voice, blocky, compact, sturdy, uniform stroke.
A compact, heavy sans with condensed proportions and squared-off, superellipse-like curves. Strokes are thick and even, with minimal contrast and crisp, mostly straight terminals that keep the silhouette tight. Counters are small but clear, and many letters show a slightly pinched or subtly flared vertical rhythm that adds texture without breaking the overall uniformity. Numerals and capitals feel especially rigid and columnar, while the lowercase maintains a tall, space-efficient build that stays visually consistent at display sizes.
Best suited to bold headlines, poster typography, and attention-grabbing labels where space is limited and impact is the priority. It can work well for branding marks, packaging callouts, and signage-style applications that benefit from a condensed, sturdy voice.
The overall tone is forceful and utilitarian, with a confident, no-nonsense presence. Its compressed, blocky shapes suggest industrial signage and vintage headline typography, projecting urgency and strength rather than softness or elegance.
The design appears intended to maximize visual impact and economy of space, combining condensed proportions with a rigid, rounded-rectangular construction. It aims for strong legibility at display sizes while delivering a distinctly industrial, retro-leaning headline character.
The narrow set width and small apertures create a dense, high-ink footprint that holds together well in short bursts, while longer lines feel intentionally packed and energetic. The rounded-rectangle geometry gives curves (like C, O, S) a squarish, engineered feel compared with more humanist condensed sans designs.