Sans Superellipse Onlam 4 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: ui design, app branding, product identity, signage, packaging, tech, futuristic, clean, friendly, clarity, modernization, system look, digital tone, rounded corners, squared curves, geometric, compact, high legibility.
A geometric sans with superelliptical construction: curves resolve into rounded-rectangle forms, giving bowls and counters a squarish softness. Strokes are consistently even, with smooth, uniform terminals and minimal contrast, producing a stable, engineered texture. Proportions feel compact with generous apertures and clear interior space; round letters like O/Q read as softened squares, while straight-sided forms maintain crisp alignment. The numerals follow the same rounded-square logic, with simplified, blocky silhouettes that stay clear at display and UI sizes.
Well suited for interface typography, dashboards, and wayfinding where clear shapes and even stroke color help maintain readability. It also fits contemporary tech branding, product wordmarks, and packaging that benefits from a geometric, rounded-square personality. In larger sizes it delivers a distinctive, modern voice for headings and short statements while staying orderly in paragraph samples.
The overall tone is modern and tech-forward, with a controlled, system-like rhythm that still feels approachable due to the rounded corners. It suggests digital interfaces, product design, and contemporary branding rather than classic editorial typography. The squared curves add a subtle sci‑fi flavor without becoming novelty-driven.
The design appears intended to blend geometric precision with friendly rounding, using superelliptical forms to evoke digital geometry and modern industrial design. Its consistent stroke and softened corners aim to keep text crisp and functional while giving the family a recognizable, contemporary signature.
Corners are consistently radiused across the set, creating a unified “soft-corner” motif in both uppercase and lowercase. The glyphs emphasize clarity over calligraphic nuance, with open shapes and straightforward joins that keep wordforms clean in running text and strong in headlines.