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Sans Normal Ohrim 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Nondescript JNL' by Jeff Levine (names referenced only for comparison).

Keywords: logos, headlines, posters, packaging, ui headers, techno, futuristic, industrial, sporty, friendly, modernize, brand impact, tech flavor, display clarity, rounded, square-shouldered, geometric, compact, high-contrast counters.


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A heavy, geometric sans with softly rounded corners and a largely monoline stroke. Forms are built from circles and squared-off curves, producing a distinctive “rounded-rectangle” geometry in bowls, apertures, and counters. Uppercase letters read compact and stable, with broad, flat terminals and simplified joins; curves stay smooth and controlled rather than calligraphic. Lowercase follows the same modular logic, with single-storey a and g, a compact earless r, and wide, open counters that keep the dense weight from clogging. Numerals are similarly geometric, with squared curves and clear interior space, giving a consistent, engineered rhythm across letters and figures.

Best suited to logos and wordmarks, bold headlines, posters, product packaging, and UI headings where a modern geometric voice is desired. Its compact, high-impact shapes also work well for badges, esports/sports graphics, and attention-grabbing signage, especially at medium to large sizes.

The overall tone is contemporary and tech-leaning, with a confident, built-from-modules feel. Rounded corners soften the mass and add approachability, while the squared geometry keeps it assertive and purposeful—suggesting digital interfaces, sports branding, and retro-futurist styling.

The design appears intended to deliver a modern geometric sans that balances friendliness with a technical, manufactured character. By combining heavy weight, rounded corners, and squared circular forms, it aims for immediate recognizability and strong display presence without sacrificing clarity.

In text, the font maintains strong horizontal presence and a steady color, with letterforms that feel intentionally standardized. The distinctive squared curves and compact proportions create a recognizable texture that stands out in display sizes while remaining legible in short passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸