Sans Superellipse Otlet 9 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'AF Carplates' by ACME Collection, 'Protrakt Variable' by Arkitype, 'Charles Wright' by K-Type, and 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, industrial, confident, utilitarian, techy, impact, geometric cohesion, modern utility, brand voice, rounded corners, squared rounds, closed apertures, compact, blocky.
A heavy, compact sans with rounded-rectangle construction throughout. Curves resolve into soft corners rather than true circles, giving letters a squared-round silhouette and a tightly controlled rhythm. Strokes are consistently thick with little apparent contrast, terminals are mostly blunt, and counters tend to be smaller and more enclosed, especially in C/S and the bowls of B/P/R. The lowercase is sturdy and simple, with a single-storey a and g, short joins, and a generally vertical, no-nonsense stance.
Best suited for display sizes where its compact mass and rounded-rect geometry can read clearly—headlines, logos, packaging, labels, and wayfinding. It can also work for short UI labels or product naming where a firm, modern voice is desired, but its dense counters may feel heavy in long passages at small sizes.
The overall tone is contemporary and sturdy, with a purposeful, engineered feel. The rounded corners keep it approachable, but the dense weight and closed shapes read as assertive and workmanlike rather than friendly or delicate.
The design appears intended to deliver maximum impact with a cohesive, rounded-square motif, balancing a technical, contemporary look with softened corners for broader appeal. It prioritizes bold presence and geometric consistency over airy openness.
The numerals share the same squared-round logic, with compact shapes and prominent internal counters where applicable. Diagonals in letters like K, V, W, X, and Y are thick and direct, reinforcing a strong, poster-ready texture.