Sans Superellipse Abran 2 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Intercom Arabic', 'Intercom Arabic Variable', 'Intercom Devanagari', 'Intercom Kannada', and 'Intercom Tamil' by Indian Type Foundry (names referenced only for comparison).
Keywords: ui labels, signage, packaging, headlines, data display, modern, clean, neutral, technical, efficient, space saving, clarity, systematic geometry, contemporary utility, rounded corners, condensed, geometric, compact, crisp.
This is a compact sans with a tall, condensed stance and evenly weighted strokes. Curves are built from rounded-rectangle geometry, producing squarish counters in letters like O and rounded terminals that feel softened rather than circular. The joins are smooth and controlled, with minimal modulation and consistent rhythm across capitals and lowercase. Spacing appears disciplined and tight, keeping words dense without looking cramped, and numerals follow the same rounded-rectilinear logic for a cohesive texture.
It works well for UI labels, navigation, and dashboards where narrow letterforms help fit more text into limited space. The clean, low-friction shapes also suit signage, packaging, and short headlines that benefit from a modern, compact sans. Numerals are consistent and legible enough for tables, counters, and other data-forward settings.
The overall tone is contemporary and utilitarian, balancing friendliness from the rounded corners with a precise, engineered feel. Its condensed proportions and tidy stroke behavior read as efficient and structured, suited to interfaces and informational design where clarity and economy of space matter.
The design appears intended to provide a space-saving, modern sans with rounded-rectilinear construction that remains clear at text sizes. Its restrained detailing and consistent stroke behavior suggest an emphasis on usability, systematized geometry, and a contemporary voice that can sit quietly in product and information design.
Round forms lean toward superelliptical shapes rather than perfect circles, giving the font a distinctive squared softness. The lowercase shows straightforward, unornamented construction and maintains a steady, uniform color in text, while capitals keep a restrained, signage-like presence.