Sans Superellipse Usda 14 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra; 'Eurostile Next', 'Eurostile Next Paneuropean', 'Neue Helvetica', and 'Neue Helvetica Paneuropean' by Linotype; 'PT Filter' by Paavola Type Studio; and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, assertive, industrial, techy, sporty, friendly, impact, modernity, sturdiness, clarity, rounded, blocky, compact, geometric, sturdy.
A heavy, wide sans with rounded-rectangle (superellipse) bowls and corners, giving the letterforms a softened yet blocky silhouette. Strokes are uniform with minimal modulation, and terminals are clean and square-ish with subtle rounding. Counters are relatively tight and often rectangular, producing dense black shapes with strong presence. The lowercase shows a single-storey “a” and a compact, structured “g”, while the figures are similarly squared-off and robust, maintaining consistent width and weight across the set.
Best suited to display typography where maximum impact is needed: headlines, posters, title cards, and brand marks. Its wide, compact-lettered color also fits product packaging, sports graphics, and bold UI moments such as hero banners or labels, especially when clarity at a glance matters more than long-form comfort.
The overall tone is confident and high-impact, mixing a utilitarian, engineered feel with approachable rounding. It reads as contemporary and performance-oriented—more “equipment label” than “editorial elegance”—and carries a clear, no-nonsense energy.
The design appears intended to deliver a modern, high-density display voice built from superelliptical geometry—combining strong, rectangular structure with rounded corners for a contemporary, friendly industrial look.
The design emphasizes strong horizontal and vertical alignment, with generous corner radii that keep the heavy weight from feeling sharp or aggressive. Spacing appears built for large sizes where the compact counters and broad proportions read as intentional, graphic shapes.