Stencil Gesu 9 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, logotypes, branding, packaging, futuristic, industrial, techy, sci‑fi, modular, theme impact, stencil styling, tech aesthetic, geometric clarity, geometric, rounded, segmented, high contrast gaps, display.
A geometric sans with clean, monoline construction and prominent stencil breaks throughout. Strokes are built from smooth arcs and straight verticals, with many counters and terminals opened by consistent bridges that create a segmented, modular rhythm. Curves tend to be broadly rounded (notably in C/G/O/Q and the bowls of B/P/R), while vertical stems stay crisp and uniform; diagonals appear primarily in K, X, Y, Z and the numerals. The resulting texture is airy and patterned, with distinctive cut-ins and gaps that remain visually consistent across uppercase, lowercase, and figures.
Best suited to display settings where the stencil pattern can be appreciated: posters, titles, logotypes, packaging, and product branding with a technical or futuristic theme. It also works well for short UI headings, event graphics, and signage-style compositions where a modular, engineered feel is desired.
The repeated breaks and rounded geometry give it a contemporary, engineered tone—part sci‑fi interface, part industrial signage. It feels sleek and synthetic rather than handwritten or traditional, with a slightly playful edge coming from the soft curves paired with hard, mechanical segmentation.
The design appears intended to merge a clean geometric sans foundation with a strong stencil mechanism, producing a distinctive segmented voice that stays consistent across the character set. Its emphasis is on graphic identity and thematic impact rather than quiet text neutrality.
The stencil bridges are bold enough to read clearly at display sizes, creating strong internal rhythm and recognizable silhouettes. Numerals follow the same segmented logic, with circular forms (0, 8, 9) emphasizing the split-counter look; overall legibility is highest when the cutouts are allowed to breathe.