Sans Superellipse Gebir 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'DIN Next' by Monotype, 'Belle Sans' by Park Street Studio, 'Akwe Pro' by ROHH, and 'LFT Etica' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, merch, sporty, punchy, dynamic, confident, retro, impact, speed, space-saving, branding, condensed, forward-leaning, blocky, rounded corners, compact.
A compact, forward-leaning sans with heavy, uniform strokes and rounded-rectangle curves that keep counters smooth and open. The design is tightly proportioned with short extenders and a dense rhythm, creating strong word shapes in both uppercase and lowercase. Curved letters (C, G, O, Q) are built from superelliptical bowls, while diagonals (A, K, V, W, X, Y) are steep and sturdy, reinforcing a compressed, high-impact silhouette. Numerals are equally weighty and simple, with clear, block-like forms that match the overall geometry.
Best suited to short, high-impact settings such as headlines, posters, sports and event branding, apparel graphics, and bold packaging callouts. It performs especially well when you want dense, condensed wordmarks or emphatic typographic blocks, and is less ideal for long reading at small sizes due to its compact spacing and heavy texture.
The overall tone feels energetic and assertive, with a sporty, headline-ready presence. Its slanted stance and compact massing suggest speed and urgency, while the rounded geometry keeps it approachable rather than harsh. The result lands in a bold, retro-leaning display mood without losing modern clarity.
The font appears designed to deliver maximum impact in minimal horizontal space, combining a condensed footprint with rounded superelliptical forms for a strong but friendly display voice. The italicized construction emphasizes motion, making it a natural fit for energetic branding and attention-grabbing titling.
Stroke endings are clean and blunt, and the internal spacing is intentionally tight, producing strong color at large sizes. The lowercase is robust and simplified, with single-storey constructions where applicable and a generally compact, utilitarian feel across the set.