Sans Superellipse Fodat 4 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Salma Alfasans' by Alifinart Studio, 'Logik' by Monotype, 'Ddt' by Typodermic, and 'Clinto' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logotypes, packaging, sporty, energetic, assertive, modern, techy, impact, speed, branding, modernity, solidity, slanted, blocky, rounded, compact, punchy.
A heavy, forward-slanted sans with broad proportions and rounded-rectangle (superellipse) construction. Strokes are thick and uniform, with squared terminals softened by generous corner radii, producing a crisp but friendly blockiness. Counters are relatively tight and often squarish, and the overall rhythm is compact and dense, especially in the lowercase where bowls and apertures stay firmly closed. The numerals follow the same padded, angular logic, with sturdy horizontals and rounded corners that keep the set visually consistent.
Best used for short, prominent text where its weight and slant can project momentum—headlines, posters, sports and esports branding, product marks, and bold packaging statements. It can work for brief UI labels or wayfinding accents when set large enough to preserve internal space, but it is less suited to long-form reading due to its density.
The style reads fast, muscular, and contemporary, evoking speed and impact. Its slant and dense blackness give it a competitive, high-intensity tone suited to attention-grabbing messaging. The rounded corners temper the aggression slightly, keeping the voice modern rather than harsh.
The design appears intended to deliver maximum impact with a streamlined, geometric voice—combining a speed-oriented slant with rounded-rectangular forms for a modern, engineered feel. It prioritizes strong silhouettes and compact spacing to stay loud and legible in display contexts.
The italics feel structurally integrated rather than simply obliqued, with many shapes maintaining stable, squared curves and controlled diagonals. At smaller sizes, the tight counters and heavy joins may begin to fill in, while at display sizes the geometric rounding and strong silhouette become a defining feature.