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Serif Contrasted Upny 2 is a regular weight, wide, very high contrast, upright, normal x-height font visually similar to 'Didonesque Ghost' and 'Didonesque Stencil' by Monotype and 'Parmesan Revolution' by RM&WD (names referenced only for comparison).

Keywords: headlines, magazines, posters, branding, packaging, editorial, fashion, dramatic, refined, stylish, attention, luxury, distinctiveness, drama, hairline serifs, vertical stress, sharp terminals, sculpted forms, display.


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This serif design pairs dense, column-like vertical strokes with extremely fine hairlines and crisp, razor-edged serifs. The letterforms feel wide and stagey, with strong vertical stress and frequent wedge-like cuts that create stencil-like openings in bowls and joins. Curves are sculpted rather than smooth, often resolving into pointed terminals or thin connecting bridges, and the overall rhythm alternates between heavy black masses and delicate threads. Figures and punctuation follow the same high-contrast logic, with bold stems and tiny, precise details that read as intentional and ornamental.

Best suited to display settings where its extreme contrast and carved details can be appreciated—magazine headlines, fashion and lifestyle layouts, posters, and brand marks. It can also work for short editorial pulls or large-size titling where the dramatic light–dark rhythm becomes a feature rather than a readability constraint.

The font projects a high-fashion, editorial tone: elegant but deliberately assertive. Its sharp contrasts and carved apertures add a theatrical, slightly enigmatic flavor that can feel luxurious and modern at the same time. The overall impression is polished and curated, with a distinctive “cut-paper” drama that draws attention.

The design appears intended to reinterpret a classic high-contrast serif through a more graphic, cut-out approach, emphasizing bold verticals and precise hairlines for maximum impact. Its wide stance and ornamental apertures suggest a focus on distinctive silhouettes and memorable word-shapes in display typography.

Several glyphs show internal cuts and separated counters that increase sparkle and create a distinctive silhouette at larger sizes. The text sample emphasizes how the design’s thin links and hairlines can visually recede next to the heavy verticals, producing a lively, shimmering texture rather than an even paragraph color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸