Sans Superellipse Ukluh 12 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Cord Nuvo' by Designova, 'Tradesman' by Grype, 'Grand' by North Type, and 'Marce' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, tech, condensed, authoritative, retro-futurist, space-saving impact, technical tone, modular geometry, display clarity, rectilinear, squared, rounded corners, compact, crisp.
A condensed, squared sans with predominantly straight stems and rounded-rectangle curves. Counters and bowls are tight and squarish, with softened corners that keep the forms from feeling brittle. Stroke weight is consistent and heavy, producing strong vertical emphasis and compact, uniform color in text. Terminals are mostly flat and blunt, and the overall geometry leans toward modular construction with occasional rounded joins for readability.
Best suited for headlines, posters, packaging, and branding where a compact, high-impact voice is needed. It also fits signage, product labels, and tech-themed graphics that benefit from a tall, squared, industrial look. For long-form text, it works more as display copy than continuous reading.
The font conveys an industrial, technical mood—confident, efficient, and slightly retro in its engineered proportions. Its narrow stance and squared curves evoke labeling, machinery, and sci‑fi interface typography, while the rounded corners add a controlled friendliness rather than cold austerity.
The design appears intended to deliver maximum impact in minimal horizontal space, using a consistent, engineered geometry. Its rounded-rectangle construction suggests a goal of combining technical precision with approachable softness, yielding a distinctive display face for modern and retro-tech applications.
In the sample text, the dense rhythm and tight counters create a strong headline texture, especially in mixed case. Numerals and capitals share a consistent boxy logic, and round characters like O/C/Q read as rounded rectangles, reinforcing the superelliptic theme. Spacing appears tuned for compact setting, with a distinctly vertical, sign-like presence.