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Free for Commercial Use

Sans Normal Pubew 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Artegra Soft' by Artegra, 'Knicknack' by Great Scott, 'Klop' by Invasi Studio, 'Organetto' by Latinotype, 'Sebino Soft' by Nine Font, 'Marquee' by Pelavin Fonts, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: posters, packaging, kids branding, headlines, logos, playful, friendly, chunky, bouncy, retro, approachability, high impact, playfulness, retro charm, rounded, soft corners, blobby, cartoonish, top-heavy.


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A heavy, rounded sans with swollen strokes and soft, blunted terminals. Counters are compact and often slightly asymmetric, giving the forms a hand-drawn, blobby regularity rather than strict geometric precision. Curves dominate, with gentle flat spots and subtle kinks that create a lively rhythm; joins are smooth and the overall silhouette reads as thick, cushiony shapes. Numerals and capitals share the same chunky construction, with simplified interiors and a strong, poster-like presence.

Best suited for short-to-medium display text where its chunky silhouettes can shine: posters, storefront signage, playful branding, packaging, and editorial headlines. It also works well for children’s materials and casual social graphics, especially when set with generous tracking and line spacing.

The tone is warm, informal, and upbeat, with a comic and kid-friendly charm. Its bouncy shapes and slightly quirky proportions suggest approachability and humor, leaning toward a nostalgic, retro-display feel rather than sober neutrality.

This design appears intended as a friendly, high-impact display sans that prioritizes softness and personality over strict geometry. The goal is immediate legibility at large sizes with a cheerful, approachable voice for fun, informal messaging.

Distinctive details include round i-dots, a single-storey “a,” and generally compact apertures that emphasize bold silhouettes at larger sizes. The uppercase set feels especially plump and stable, while lowercase forms add extra character through slightly uneven curves and playful spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸