Sans Superellipse Otrek 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Hudson NY Pro' by Arkitype, 'Halvert' by Din Studio, 'B52' by Komet & Flicker, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, branding, sports graphics, ui labels, techno, industrial, futuristic, sporty, utilitarian, impact, modernity, systematic geometry, signage clarity, tech branding, squared, rounded corners, compact, geometric, stencil-like apertures.
A compact geometric sans built from squared, superellipse-like outlines with generously rounded corners. Strokes are uniform and heavy, producing strong color and crisp silhouettes, while counters tend toward rounded rectangles. Many joins and terminals are cut straight, creating a machined, modular rhythm; apertures are often tight, and interior notches (notably on forms like Q and some lowercase bowls) add a technical, constructed feel. Figures and capitals read particularly sturdy, with simplified, blocky curves and consistent corner radii across the set.
Best suited for headlines, posters, packaging, and brand marks where a bold, technical voice is desired. It can also work for short UI labels, wayfinding, and interface-style graphic elements when legibility at small sizes is tested against the tight apertures and dense texture.
The overall tone is assertive and engineered—clean, tough, and contemporary. Its squared-round geometry and hard cuts suggest technology, tools, and performance contexts rather than warmth or calligraphy.
The letterforms appear designed to deliver a strong, modern identity using a consistent rounded-rectangle construction and minimal modulation. The intent reads as creating a rugged, high-impact sans with a systematic geometry that feels ready for tech, sport, and industrial branding.
The design emphasizes uniform corner treatment and rectangular counter shapes, which helps it stay cohesive at display sizes. The lowercase follows the same squared-round logic as the caps, keeping a disciplined, systemized texture in text, while the numerals appear similarly compact and signage-friendly.