Sans Normal Iste 2 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'ATC Duel' by Avondale Type Co., 'Muller Next' by Fontfabric, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Favela' by Machalski, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, retro, energetic, bold, playful, impact, motion, headline emphasis, brand presence, retro flavor, slanted, chunky, rounded, compact counters, soft corners.
A heavy, slanted sans with broad proportions and rounded, cushiony shapes. Strokes are thick and consistent with smooth curves and flattened terminals, giving the letters a compact, blocky feel despite the generous width. Counters are relatively small and often oval, while joins and inner corners stay softened rather than sharp. The numerals follow the same massy construction, with sturdy bowls and a strong forward lean that keeps lines of text visually “in motion.”
Best suited to large-scale applications where impact and momentum matter: headlines, posters, sports and team graphics, energetic advertising, packaging, and logo wordmarks. It can also work for short UI banners or social media graphics when strong emphasis is needed and space allows for its wide footprint.
The overall tone is loud, upbeat, and action-oriented, reminiscent of athletic branding and 1970s–1990s display typography. Its chunky silhouettes and forward slant create an assertive, fast, and slightly playful voice that reads as confident rather than formal.
The design appears intended to deliver maximum presence with a sense of speed, combining broad, rounded forms with a pronounced slant to create a dynamic display voice. Its simplified, sturdy construction suggests a focus on legibility at large sizes and strong brand recognition rather than fine detail.
The slant is prominent enough to shape word rhythm, with diagonal strokes and angled terminals creating a consistent forward pull. In text, the tight counters and heavy weight favor short headlines over long passages, where the dense texture can become visually packed.